‘Could a rule be given from without, poetry would cease to be poetry, and sink into a mechanical art. It would be μóρφωσις, not ποίησις. The rules of the IMAGINATION are themselves the very powers of growth and production. The words to which they are reducible, present only the outlines and external appearance of the fruit. A deceptive counterfeit of the superficial form and colours may be elaborated; but the marble peach feels cold and heavy, and children only put it to their mouths.’ [Coleridge, Biographia ch. 18]

‘ποίησις’ (poiēsis) means ‘a making, a creation, a production’ and is used of poetry in Aristotle and Plato. ‘μóρφωσις’ (morphōsis) in essence means the same thing: ‘a shaping, a bringing into shape.’ But Coleridge has in mind the New Testament use of the word as ‘semblance’ or ‘outward appearance’, which the KJV translates as ‘form’: ‘An instructor of the foolish, a teacher of babes, which hast the form [μóρφωσις] of knowledge and of the truth in the law’ [Romans 2:20]; ‘Having a form [μóρφωσις] of godliness, but denying the power thereof: from such turn away’ [2 Timothy 3:5]. I trust that's clear.

There is much more on Coleridge at my other, Coleridgean blog.

Thursday 15 August 2024

Blue Book Balloon reviews "Lake of Darkness"

 


In Lake of Darkness, what goes wrong is slightly mysterious. It may be a threat from an Ancient Evil which meddling scientists have unleashed from its prison (cue a great deal of speculation about who or what would be capable of constructing this prison and the paradoxes it builds into the universe). Or it may be that the evil has been loose and ac time for aeons. Or it may be that both things are true, with the evil (possibly not the right term, really) representing a part of humanity that the Utopia has suppressed. We are reminded that there are laws of balance and conservation in the Universe and that therefore, at least in the long run, certain things may be impossible - such as firewalling off areas of experience and motivation. Or, putting it another way, some things may be certain, such as human traits and behaviours surviving.

As presented to the reader, this paradox is framed in terms of the event horizon of a black hole. A couple of futuristic ships arrive, capable of FTL travel, to investigate black hole QV Tel but madness and obsession will soon destroy their crews. There is a great deal of debate, both among the characters of this novel and from the narrator (or narrators - the way the book represents how it is being told is twisty, reminding me of Tolkien in its insistence that it is being translated - but from what and to what and by whom is unclear) about whether it might be possible to communicate with whatever life might exist within a black hole. This apparently abstract point of physics, indeed, motivates characters to extremes, up to and beyond murder. (I enjoyed the way in which Roberts uses his apparently consensual society to show an individual with aberrant views can impose this on the wider culture - the grounding in consensus meaning that there are no real checks in place. It all reminded me of a version of social media gone septic. Sorry, gone even more septic).

This question engages real, unresolved issues of physics but it also, I think, represents the gist of the book. The existence of black holes poses a puzzle whose solution allows for real choices in the design of the universe - it's left deliberately uncertain whether it is this fact that drives a succession of characters in this story to defy, indeed trample, the norms of their civilisation, or whether they have indeed been affected by some kind of serial taint that derives from the black hole itself and is being communicated through society, thereby posing a deep contradiction.

This is a novel of ideas, that debate about the nature of reality coming over as more solid that the rather insipid characters who fail to face up to its consequences. And, just to be clear, by "insipid" I don't mean these are badly or weakly drawn characters, I think Roberts depicts them just as he intends to, they are insipid members of an insipid society which has forgotten things about itself that it ought to to have help on to.

Overall, a riveting and strange book, alive with alternatives and a haunting sense of the past and the future debating with each other.

The full review is here.

Saturday 3 August 2024

"Lake of Darkness" Out Now



Available now from all good bookshops (including Waterstones) and Amazon UK. There is some issue with Amazon US, it seems: you can buy the audiobook for dollars [update: as per the comment below, it seems you can't, actually] but not the actual book. I'm not sure why, and will look into it. 

Is it any good? I'm hardly the person to say yes, or no, and you doubtless have better things on which to spend your money. Brian Clegg describes it as ‘wow’ and says: ‘the mix of a snowflake utopian future, employing the weirdest bits of speculative black hole physics and religion left my mind buzzing. Some will hate it, but the best new SF this year’. The opening two sentences of Clegg's review are, I think, the highest praise I've ever had as a writer:
Two of the best ever fantasy writers - Alan Garner and Gene Wolfe - both wrote books that over the years got more sophisticated and harder to take in, yet these books really rewarded the reader who put in the effort to a great degree. Adam Roberts has become their equivalent in the science fiction world. Although much of Lake of Darkness is an easy enough read, the concepts it is built on are mind-boggling and the last part left my mind buzzing, if not entirely sure what I had just experienced.
Amazon ratings are not necessarily the most reliable guides to quality, but I note that Lake of Darkness has 57 ratings already, from 3 stars to 5 stars, weighted towards the latter. Here's the judgment of one of the 3-star reviewers: ‘an almost impenetrable novel that mixes hard SF with philosophy and religion.’ Fair enough.