tag:blogger.com,1999:blog-5401830411147364284.post6314905456362740355..comments2024-03-18T19:05:39.072-07:00Comments on Morphosis: Star Wars: Crash 2Adam Robertshttp://www.blogger.com/profile/15803399373213872690noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5401830411147364284.post-21638550916035632092023-10-17T23:51:20.154-07:002023-10-17T23:51:20.154-07:00Hello nicce postHello nicce postPainting Hipposhttps://paintinghippos.tumblr.com/noreply@blogger.comtag:blogger.com,1999:blog-5401830411147364284.post-72820403022159642712019-11-28T09:59:41.472-08:002019-11-28T09:59:41.472-08:00Interesting. I've long had a minor interest in...Interesting. I've long had a minor interest in certain 'kinetic trajectories', if you will, that show up in adventure films. I'm thinking, off the top of my head, of the opening to one of the Indiana Jones films, where Indy and The Lady end up in a plane that crashes in the mountains, but they somehow escape. On in that Arnold Schwarzenegger/Jamie Lee Curtis film, <i>True Lies</i> is it? where they're married and he's secretly a spy, but she doesn't know etc. and at the end they're in a jet that, crashes maybe? I forget. But in both these cases we have a man and a woman in a plane and there's something about the kinetic trajectory, the pacing, the acceleration and then STOP, that's sexual.<br /><br />I think this sort of thing is all over the damn place in films.Bill Benzonhttps://www.blogger.com/profile/08360044945265178991noreply@blogger.com