‘Could a rule be given from without, poetry would cease to be poetry, and sink into a mechanical art. It would be μóρφωσις, not ποίησις. The rules of the IMAGINATION are themselves the very powers of growth and production. The words to which they are reducible, present only the outlines and external appearance of the fruit. A deceptive counterfeit of the superficial form and colours may be elaborated; but the marble peach feels cold and heavy, and children only put it to their mouths.’ [Coleridge, Biographia ch. 18]
‘ποίησις’ (poiēsis) means ‘a making, a creation, a production’ and is used of poetry in Aristotle and Plato. ‘μóρφωσις’ (morphōsis) in essence means the same thing: ‘a shaping, a bringing into shape.’ But Coleridge has in mind the New Testament use of the word as ‘semblance’ or ‘outward appearance’, which the KJV translates as ‘form’: ‘An instructor of the foolish, a teacher of babes, which hast the form [μóρφωσις] of knowledge and of the truth in the law’ [Romans 2:20]; ‘Having a form [μóρφωσις] of godliness, but denying the power thereof: from such turn away’ [2 Timothy 3:5]. I trust that's clear.
There is much more on Coleridge at my other, Coleridgean blog.
Monday, 29 September 2014
What could possibly go wrong?
"Tom Wedgwood was a committed philanthropist and Godwinian. Anxious to do his part for the furtherance of mankind, he had, in correspondence with Godwin, determined to devote a portion of his wealth to the education of a genius … Wedgwood had come up with a scheme. The child was to be protected from contact with bad example and from sensory overload by never being allowed to go out of doors or leave its apartment. The nursery was to be painted grey, with only a couple of vivid coloured objects to excite its senses of sight and touch. It was to be surrounded by hard objects to continually ‘irritate [its] palms’ … A superintendent [would] ensure that the child connected all its chief pleasures with rational objects and acquired a habit of ‘earnest thought’." [Juliet Barker, Wordsworth: A Life (2000)]
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