‘Could a rule be given from without, poetry would cease to be poetry, and sink into a mechanical art. It would be μóρφωσις, not ποίησις. The rules of the IMAGINATION are themselves the very powers of growth and production. The words to which they are reducible, present only the outlines and external appearance of the fruit. A deceptive counterfeit of the superficial form and colours may be elaborated; but the marble peach feels cold and heavy, and children only put it to their mouths.’ [Coleridge, Biographia ch. 18]

‘ποίησις’ (poiēsis) means ‘a making, a creation, a production’ and is used of poetry in Aristotle and Plato. ‘μóρφωσις’ (morphōsis) in essence means the same thing: ‘a shaping, a bringing into shape.’ But Coleridge has in mind the New Testament use of the word as ‘semblance’ or ‘outward appearance’, which the KJV translates as ‘form’: ‘An instructor of the foolish, a teacher of babes, which hast the form [μóρφωσις] of knowledge and of the truth in the law’ [Romans 2:20]; ‘Having a form [μóρφωσις] of godliness, but denying the power thereof: from such turn away’ [2 Timothy 3:5]. I trust that's clear.

There is much more on Coleridge at my other, Coleridgean blog.

Saturday 12 February 2022

Guardian on THE THIS

Today, The This reviewed in the Guardian. It's the second of my novels Lisa Tuttle has reviewed, and the first she has liked, so that's good.

Imagine a social media app implanted in the roof of the mouth for more immersive connectivity. This one small step turns out to be a giant leap in human evolution, a sort of telepathy that brings everyone together as parts of one vast, gestalt consciousness. But is that really such a great idea? Roberts takes a classic trope of speculative fiction, combines it with current preoccupations and views the whole in the context of religious belief and Hegelian philosophy. The result is dazzlingly inventive, exciting, funny and addictively readable.

Posted by at

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)